Urban HorrorIn Urban Horror Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal post socialist China. Drawing on Marxist phenomenology, geography, and aesthetics from Engels and Merleau Ponty to Lefebvre and Rancire, Huang traces the emergence and mediation of what she calls urban horrora sociopolitical public affect that exceeds comprehension and provides the grounds for possible future revolutionary dissent. She shows how