New Transnationalisms in Contemporary Latin American CinemasIn the late 1990s and early 2000s Latin American films like Amores perros, Y tu mam tambin and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in the world market. Benefitting from external financial and or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandro Gonzlez Irritu, Alfonso Cuarn, Guillermo del Toro, Fernando Meirelles, Walter
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New Transnationalisms in Contemporary Latin American Cinemas