Becoming PastIs there such a thing as contemporary art history? The contemporary, after allas much as we may want to consider it otherwiseis being made history as it happens. By what means do we examine this moving target? These questions lie at the center of Jane Blockers Becoming Past. The important point is not whether there isor should becontemporary art history, Blocker argues, but how. Focusing on a significant aspect of current art practice? in which