The Language of the Heart, 1600-1750In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these otherand