COMFORT OF STRANGERSTen years down the road from her big splash debut TRAILER PARK, the woman who brought a Sandy Denny like folk rock sensibility to electronica scales things down considerably. While the preceding DAYBREAKER had already found the British songstress moving closer to the acoustic side of the sonic divide, COMFORT OF STRANGERS makes Orton's sound homier by seemingly abandoning all ambitions for Dido like waif pop success in favor of intimate, personal