The End of the Salon: Art and the State in the Early Third RepublicThe End of the Salon examines the cultural forces that contributed to the demise of the most important exhibition centre for art in Europe and America in the late nineteenth century. Tracing the history of the salon from the French Revolution, when it was taken away from the Academy and opened to all artists, to the 1880s, Patricia Mainardi shows that its contradictory purposes, as didactic exhibition venue and art market place, resulted in its