Theory and Practice in Eighteenth-Century DanceThis book is about the intersection of two evolving dance historical realmstheory and practiceduring the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines